from LIKE HONEY

 
           excerpt from 5: The Sun’s Name
 

but then do you watch as      fog comes
to run its      fingers      rose- & lime-colored &
oyster-shell-jagged      over your windows? /      do you find
 
your poems      affirming life      in a dreary way —
pale apples      literary casts of sunlight      secondhand
sexual unities? /      my refuge rises      sturdy as an iris
 
yet      I haven’t been doing very well      lately
even whole      & pious food      upset my guts
& I twist      & pinch little things into      real-deal irritations
 
sunup’s      runny gold /      my forgetfulness leaks
as beneath me      the new season      palpitates
& daffodils vindicate      the one already      at work the one
 
who varies & varies & varies /      it’s easy      to get married
to halfway-promise      half-way mention      streaks of rain
on a bay window      marking time /      but
 
doesn’t each speech act      snuff one old habit      fill a single skeleton
with      arrowhead flowertips fluttering /      nothing wrong
in looking      at you own life &      saying as
 
to a hurt child: oh honey /      but sometimes the recognition is      in thinking I’ll be
fine again      soon / fooled into loving      these changeful
phantasmagoria & my own vulgar      bluster /      once more adoring as
 
the rain does this raggy      & disputed process      streched
tight      between two eternities /      that white respiration
& breathing-sense      to the day /      that time of year
 
you stop counting      signs of spring /      sad sparrows /
who do you      know      that would choose the cross? /
not me      certainly      I’m as shot
 
full of holes      as this stop sign /      as covered over
by      stinky blossoms /      that feeling
of pointlessness seeping      out from the      small things /
 

Jay Aquinas Thompson (they/he) is a poet, essayist, and teacher with recent or forthcoming work in Neon Door, Essay Daily, Adroit, Guesthouse, and Poetry Northwest, where they’re a contributing editor. Their memoir The Resurrection Appearances: a Daybook is forthcoming from Gold Line Press. They’ve been awarded grants and fellowships from the Ragdale Foundation, the Community of Writers, the Sustainable Arts Foundation, and King County 4Culture. They live with their child in Seattle, where they teach creative writing to public school students and incarcerated women. Find them on Substack and Twitter: @jayaquinas, and IG: @freshwater_merman.